Guitar lesson: How To Improvise The Classical Guitar Way

When I was a fifteen years old guitarist playing rock solos and classical guitar pieces I remember that I had a desire to be able to improvise on my guitar in a classical manner.

Nowadays I have developed this skill and I love to improvise in the style of composers like Sor, Tarrega, Paganini or others or just trying to find myself somewhere among the notes. These special moments are a form of meditation. They clear my mind and also helps me as a composer to stimulate my creative abilities.

The most important reason for learning classical guitar improvisation is that it's fun!

If you learn classical guitar improvisation it will benefit you in many other ways too:

1. It will be easier for you to memorize classical guitar sheet music.

2. You will find it easier to compose your own guitar pieces in a classical guitar style.

3. You can make up your own techniqal exercises on your guitar on the go.

4. You will understand your guitar better.

There are many ways to develop classical guitar improvisation. How?

You can start with major scales, experimenting with easy chords, or easy classical guitar pieces. The most basic requisite is that you want to learn this art and with this desire you will find ways to practice classical guitar improvisation in all your guitar playing.

I will just mention using classical guitar pieces in this article. But how do you begin?

May I suggest that you begin with an easy melody with just one voice or maybe a two voice piece with bass notes on open strings. Learn a couple of bars by heart and play the melody over and over again and try to change the melody slightly without losing the classical touch.

The ultimate exercise is to use advanced classical guitar solos.

If you think about it you will realize that classical guitar pieces are filled with wonderful licks, more or less complicated.

These licks can be developed and added upon to give you material that will help you developing your improvisational skills.

For example, take a two bar passage in a classical guitar piece that you like and practice it until you master it and then memorize it.

Now you can play around with the passage, break it down, change it, analyze it and so on. If you want to improve as an improvisational guitarist and musician you can regard classical guitar pieces as collections of very musical licks just waiting to be used.

I hope these hints will motivate you to reap the benefits from improvising the classical guitar way.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play resources at www.capotastomusic.com

Related Information of Interest:

I Finally Took Guitar Lessons
I have a huge list of goals that I want to achieve during my life time. Some goals are small like learning to keep a goldfish alive for longer than a month. Other goals are more significant like traveling to all fifty states or learning a second language. As I continue to learn new things and accomplish goals on my list it seems that I also add new goals to my list so that it never gets much smaller or much bigger. I think I'll always have more goals than I can accomplish. I recently accomplished a goal that has been on my list since its beginning. I started taking guitar lessons.

Sound like no big deal? If it doesn't, then you obviously do not know me well. You have no idea that I have wanted to learn how to play guitar since I was eight and you have no clue that I have been saving my spare change for years to buy a guitar and begin taking lessons. You see, for me, starting guitar lessons was the sign of so many other things that had happened in my life.

Starting guitar lessons was a sign that I had been faithful to save spare change for over six years and it was a sign that I finally got up the courage to do something I am not good at. I have this tendency to only spend time on things I can do well at, so most of the goals on my list that involve learning new skills get left undone. So it was a real feat for me to begin guitar lessons. My first lesson symbolized my desire to stop living afraid of things that cannot hurt me. Guitar lessons are the first step in a direction I have been wanting to head for quite some time.

Starting guitar lessons has also helped me to cross off another goal from my list: getting over my fear of meeting and spending time with new people. The man who is giving me guitar lessons could probably go down in history as one of the least intimidating people on the earth, yet it is still significant for me to have taken this step. I will never forget the feeling of anxiety I felt as I knocked on his front door on the afternoon of my first lesson. I felt like my heart was going to pound out of my chest. Within five minutes I had entered his house, learned a little about him, began my first of many guitar lessons, and could cross off two goals on my list at the same time. Not bad for just five minutes.

Denton Krypps is an accomplished guitarist and an advocate for all people taking guitar lessons or learning to play another musical instrument. Discover more at www.guitarlessonsnews.info

Guitar Lessons - Guitar Vibrato
Playing a guitar without vibrato is like eating Mexican food without salsa. Vibrato is one of the most definitive techniques in defining your musical style, your own personal unique sound. No two players have the same vibrato sound. Some play slow and wide while others play narrow and fast, and that’s the beauty behind spending a lot of time learning different vibrato techniques. It’s like eating different salsa’s every time you go to your favorite taco stand. Enough talk about food, lets talk technique.

Vibrato is sometimes confused with tremolo. Basically it is just a technique of vibrating the string sharp and flat around a root note. For example if you are playing the 7th fret on the 3rd string with your 3rd finger on your fret hand you can just push the note up slightly and them pull it down slightly. Do this in quick succession so the over riding effect is a “wobbly” tone around the root note you are playing. Use your hand, wrist, and arm to make the movements. Never just wiggle a finger. Some people use a technique of pulling the string down towards the floor and then releasing back up.

Try this in a variety of speeds and levels of bending during your vibrato. The trick is to be consistent and smooth with your motion. If you are playing a slow blues riff then you may want to slow down and make a wide circular motion with the string, or if you are playing a fast rock lick you may just ad a fast narrow vibrato to accent the final note in a run.

It is possible to add vibrato using any finger you play with, but it is most commonly done with the first and third finger on the fret hand. Using your first finger is a bit trickier. I usually use my first finger for fast vibratos similar to BB Kings style. I will literally lift my other finger far off the fret board, press down and just “vibrate” the string as fast and as open as possible. That’s funny the work vibrato is a lot like vibrate, because that’s actually what you are doing vibrating the string.

When you combine vibrato with string bending, harmonics and legato techniques you begin to discover the musician inside of you. Playing guitar is about discovering your inner flow of creativity and having the techniques to be able to express them. Vibrato is one of the more personal and effective techniques. As with all aspect of playing guitar you need to experiment with these techniques, and most of all have fun!

Bill McRea is the publisher of www.guitarwarehouse.com and www.kansasfans.com. Bill has been an owner of a successful guitar retailer and a guitar teacher.